Warok Dance: A Medium of Child Aesthetic Fulfillment

Two Views of Dance: Aesthetic Theory and Performance

Dance experience sculpts aesthetic perception and related brain circuits

Previous research on aesthetic preferences demonstrates that people are more likely to judge a stimulus as pleasing if it is familiar. Although general familiarity and liking are related, it is less clear how motor familiarity, or embodiment, relates to a viewer's aesthetic appraisal. This study directly compared how learning to embody an action impacts the neural response when watching and aes...

the aesthetic dimension of howard barkers art: a frankfurtian approach to scenes from an execution and no end of blame

رابطه ی میانِ هنر و شرایطِ اجتماعیِ زایش آن همواره در طولِ تاریخ دغدغه ی ذهنی و دل مشغولیِ اساسیِ منتقدان و نیز هنرمندان بوده است. از آنجا که هنر در قفس آهنیِ زندگیِ اجتماعی محبوس است، گسترش وابستگیِ آن با نهاد ها و اصولِ اجتماعی پیرامون، صرفِ نظر از هم سو بودن و یا غیرِ هم سو بودنِ آن نهاد ها، امری اجتناب ناپذیر به نظر می رسد. با این وجود پدیدار گشتنِ چنین مباحثِ حائز اهمییتی در میان منتقدین، با ظهورِ مکتب ما...

Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance

This paper describes the implementation of a digital audio / visual feedback system for an extemporaneous dance performance. The system was designed to automatically synchronize aesthetically with the dancers. The performance was premiered at the Slingshot festival in Athens Georgia on March 9, 2013.

Aesthetic Rehabilitation Following Ocular Trauma in a Child

Pediatric ocular trauma is a commonly seen in patients with maxillofacial trauma.[1] It often results in phthisis bulbi, a small, shrunken, non-functional eye. Therapeutic options are limited in phthisical eyes and provide only symptomatic relief. Majority of patients with phthisis bulbi eventually become blind resulting in aesthetic disfigurement of face resulting in psychological and emotiona...